Michelangelo Antonioni

 
 

When I am shooting a film I never think of how I want to shoot something; I simply shoot it. My technique, which differs from film to film, is wholly instinctive and never based on a priori considerations.


Born in 1912 to wealthy landowners in Ferrara, in northern Italy he had a happy childhood.  His parents had poor origins but had made their own fortune.  His father was a film critic.  His first passions were drawing and music - specifically the violin which he played brilliantly.  He studied economics at the University of Bologna, but then began work as a film journalist.  In 1940 he moved to Rome where he eventually enrolled in film studies.  His early career was working for and with others such as Rossellini and Marcel Carné, but in 1950 he created his first feature film Cronaca di un Amore.  His first international success was with L’Avventura in 1960.  His best work was in the 60s and 70s but he was working until almost his death at the age of 94.  He died in Rome on the same day as Ingmar Bergman.

Selected Filmography

People of the Po Valley (1943)

Cronoca di un Amore (1950)

L’Avventura (1960)

La Notte (1961)

L’Eclisse (1962)

The Red Desert (1964)

Blowup (1966)

Zabriskie Point (1970)

The Passenger (1975)

Identification of a Woman (1982)

Michelangelo Eye to Eye (2004)

About


Links

IMDB - for a comprehensive filmography and some external links

Wikipedia - for the usual sort of Wikipedia article - biography, filmography, some links

Senses of Cinema - A profile by James Brown, including filmographies and links

Michelangelo Antonioni Archive - a factual encyclopedic site with links to everything Antonioni

Antonioni’s best scenes - The Guardian has posted a number of clips of scenes from some of his best films

You Tube - Youtube has a very long list of clips from his films

Roger Ebert - A 1969 interview with Roger Ebert on the occasion of the release of Zabriskie Point

Cahiers du Cinema - The Euroscreenwriters site has posted a brief 1960 interview with the director, originally published in Cahiers du Cinema